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DVD Versand mit riesiger Auswahl und portofreier Lieferung. Filme aus allen Bereichen: Comedy, Action, Drama, ...




Sweetie - Criterion Collection   [CRI-Criterion]




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Artikel: 1682896
Movie: 10842615



Regionencode [?] 1 - USA (NTSC)
Benötigt Codefree-Player zum Abspielen!
Originaltitel Sweetie
Genre Drama / Familienfilm / Independent
Produktionsland Australien
Herstellungsjahr 1989


Schauspieler Geneviève Lemon, Karen Colston, Dorothy Barry, Jon Darling, Tom Lycos
Regie Jane Campion
Autor(en) Jane Campion, Gerard Lee
Produzent(en) John Maynard
Sprache (Tonformat) Englisch   (Dolby Digital - 5.1 Surround)
Untertitel -
Covertext Though she went on to create a string of brilliant films, Jane Campion will always be remembered for her stunning debut feature, Sweetie, which focuses on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, "Sweetie"--and by extension, their entire family's profoundly rotten roots. A feast of colorful photography and captivating, idiosyncratic characters, Sweetie heralded the emergence of this gifted director as well as the breakthrough of Australian cinema, which would take international film by storm in the nineties.


Bildformat 1.85:1 Aufbereitet für 16:9 Bildschirme
Laufzeit 99 Minuten
Veröffentlichung 24.10.2006


Special Features
  • New, restored high-definition digital transfer, supervised by director of photography Sally Bongers and approved by director Jane Campion
  • New Dolby Digital 5.1 soundtrack
  • Audio commentary featuring Campion, Bongers and screenwriter Gerard Lee
  • Making "Sweetie", a new video conversation between stars Genevieve Lemon and Karen Colston
  • Campion�s early short films: An Exercise in Discipline: Peel; Passionless Moments; and A Girl's Own Story
  • Jane Campion: The Film School Years, a 1989 conversation between Campion and critic Peter Thompson
  • Gallery of behind-the-scenes photos and production stills
  • Original theatrical trailer
  • Optional English subtitles for the deaf and hard of hearing
  • Plus: A new essay by film scholar Dana Polan

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