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House - Criterion Collection   [CRI-Criterion]




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Artikel: 1593859
Movie: 16851205



Regionencode [?] 1 - USA (NTSC)
Benötigt Codefree-Player zum Abspielen!
Originaltitel Hausu
House
Genre Eastern-Asia / Horror
Produktionsland Japan
Herstellungsjahr 1977


Schauspieler Haruko Wanibuchi, Ai Matsubara, Kimiko Ikegami, Asei Kobayashi, Masayo Miyako, Saho Sasazawa, Kiyohiko Ozaki, Miki Jinbo, Mieko Satoh, Mitsutoshi Ishigami, Eriko Tanaka, Kumiko Ohba, Yôko Minamida
Regie Nobuhiko Obayashi
Autor(en) Chiho Katsura, Nobuhiko Obayashi
Produzent(en) Nobuhiko Obayashi, Tomoyuki Tanaka
Sprache (Tonformat) Japanisch   (Dolby Digital - 1.0 Mono)
Untertitel Englisch
Covertext How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, House might have been beamed to Earth from some other planet. Never before available on home video in the United States, it’s one of the most exciting cult discoveries in years.


Bildformat Fullscreen 1.33:1 Aufbereitet für 16:9 Bildschirme
Laufzeit 88 Minuten
Veröffentlichung 23.10.2010


Special Features
  • New, restored high-definition digital transfer (with uncompressed monaural soundtrack on the Blu-ray edition)
  • Constructing a “House,” a new video piece featuring interviews with director Nobuhiko Obayashi, story scenarist and daughter of the filmmaker Chigumi Obayashi, and screenwriter Chiho Katsura
  • Emotion, a 1966 experimental film by Obayashi
  • New video appreciation by director Ti West (House of the Devil)
  • Theatrical trailer
  • New and improved English subtitle translation
  • PLUS: An essay by critic Chuck Stephens

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