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The 400 Blows - Criterion Collection [CRI-Criterion]
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Laserzone Preis
CHF 29.90
Artikel: 1592548
Movie: 90022111
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Regionencode [?]
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1 - USA
(NTSC) (Film in s/w)
Benötigt Codefree-Player zum Abspielen!
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Originaltitel
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Les Quatre Cents Coups
400 Blows
Les 400 Coups
Sie Küssten Und Sie Schlugen Ihn
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Genre
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Drama
/ Krimi
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Produktionsland
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Frankreich
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Herstellungsjahr
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1959
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Schauspieler
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Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Jacques Monod, Guy Decomble, Claude Mansard, Georges Flamant, Pierre Repp, Richard Kanayan, Daniel Couturier, Patrick Auffray, Robert Beauvais, Yvonne Claudie
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Regie
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François Truffaut
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Autor(en)
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François Truffaut
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Produzent(en)
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François Truffaut
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Sprache (Tonformat)
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Französisch (Dolby Digital - Mono)
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Untertitel
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-
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Covertext
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François Truffaut’s first feature, The 400 Blows (Les Quatre cents coups), is also his most personal. Told through the eyes of Truffaut’s life-long cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows sensitively recreates the trials of Truffaut’s own difficult childhood, unsentimentally portraying aloof parents, oppressive teachers, petty crime, and a friendship that would last a lifetime. The film marks Truffaut’s passage from leading critic of the French New Wave to his emergence as one of Europe’s most brilliant auteurs.
Three years after The 400 Blows took the world by storm, François Truffaut returned with the second chapter in the ongoing saga of romantic ne’er-do-well Antoine Doinel, Antoine and Colette. Originally appearing in the international omnibus film Love at Twenty, this nimble short subject is classic Truffaut, depicting a teenage Doinel (Jean-Pierre Léaud) living on his own and pursuing his first love affair, initiating a lifelong career of quixotic dreams and amorous restlessness.
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Bildformat
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2.35:1 Aufbereitet für 16:9 Bildschirme
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Laufzeit
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99 Minuten
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Veröffentlichung
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05.05.2006
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Special Features
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- The 400 Blows is presented in its original theatrical aspect ratio of 2.35:1. The new high-definition digital transfer was created from a 35mm composite fine grain on a Spirit Datacine. The soundtrack was mastered at 24-bit from 35mm optical sound print; audio restoration tools were used to reduce clicks, pops, hiss, and crackle. To further enhance the image, the MTI Digital Restoration System was used to remove thousands of instances of dirt, debris, and scratches.
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