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  Vanya On 42nd Street - Criterion Collection   [CRI-Criterion]
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   Laserzone Preis 
   CHF 29.90 
    
   
    
   Artikel: 1467704 Movie: 19985572  
   
  
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    Regionencode [?]
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1 - USA
     (NTSC) 
 Benötigt Codefree-Player zum Abspielen!
     
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    Originaltitel
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    Vanya On 42nd Street
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    Genre
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Drama
 / Independent
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    Produktionsland
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    USA
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    Herstellungsjahr
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    1994
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    Schauspieler
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Julianne Moore, Wallace Shawn, George Gaynes, Larry Pine, Brooke Smith, Andre Gregory, Lynn Cohen, Madhur Jaffrey, Jerry Mayer, Phoebe Brand
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    Regie
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Louis Malle
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    Autor(en)
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Andre Gregory, David Mamet, Anton Chekhov
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    Produzent(en)
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Fred Berner
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    Sprache (Tonformat)
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Englisch   (Dolby Digital - 1.0 Mono) 
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    Untertitel
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    Covertext
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    In the early nineties, theater director André Gregory mounted a series of spare, private performances of Anton Chekhov’s Uncle Vanya in a crumbling Manhattan playhouse. This experiment in pure theater—featuring a remarkable cast of actors, including Wallace Shawn, Julianne Moore, Brooke Smith, and George Gaynes—would have been lost to time had it not been captured on film, with subtle cinematic brilliance, by Louis Malle. Vanya on 42nd Street is as memorable and emotional a screen version of Chekhov’s masterpiece as one could ever hope to see. This film, which turned out to be Malle’s last, is a tribute to the playwright’s devastating work as well as to the creative process itself.
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    Bildformat
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    1.66:1 Aufbereitet für 16:9 Bildschirme
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    Altersfreigabe
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    Unbekannt
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    Laufzeit
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    119 Minuten
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    Veröffentlichung
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    28.02.2012
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    Special Features
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    - New, restored digital transfer, supervised by director of photography Declan Quinn, with uncompressed 2.0 soundtrack on the Blu-ray edition
 - New documentary featuring interviews with André Gregory, the play’s director; actors Lynn Cohen, George Gaynes, Julianne Moore, Larry Pine, Wallace Shawn, and Brooke Smith; and producer Fred Berner
 - Trailer
 - PLUS: A booklet featuring an essay by critic Steven Vineberg and a 1994 on-set report by film critic Amy Taubin
  
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