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  The Two Of Us - Criterion Collection   [CRI-Criterion]
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   Laserzone Preis 
   CHF 39.90 
    
   
    
   Artikel: 1095481 Movie: 11706970  
   
  
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    Regionencode [?]
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1 - USA
     (NTSC) (Film in s/w)
 Benötigt Codefree-Player zum Abspielen!
     
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    Originaltitel
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    Le Vieil Homme Et L'Enfant
 The Two Of Us
 Claude
 The Old Man And The Boy
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    Genre
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Drama
 / Comedy
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    Produktionsland
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    Frankreich
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    Herstellungsjahr
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    1967
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    Schauspieler
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Charles Denner, Michel Simon, Roger Carel, Alain Cohen, Luce Fabiole
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    Regie
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Claude Berri
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    Autor(en)
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Claude Berri, Michel Rivelin, Gérard Brach
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    Produzent(en)
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Paul Cadéac, André Hunebelle
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    Sprache (Tonformat)
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Französisch   (Dolby Digital - 1.0 Mono) 
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    Untertitel
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Englisch
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    Covertext
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    A young Jewish boy living in Nazi-occupied Paris is sent by his parents to the countryside to live with an elderly Catholic couple until France's liberation. Forced to hide his identity, the eight-year-old, Claude (played delicately by first-time actor Alain Cohen), bonds with the irascible, staunchly anti-Semitic Grampa (Michel Simon), who improbably becomes his friend and confidant. Poignant and lighthearted, The Two of Us was acclaimed director Claude Berri's debut feature, based on own childhood experiences, and gave the legendary Simon one of his most memorable roles in the twilight of his career.
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    Bildformat
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    1.66:1 Aufbereitet für 16:9 Bildschirme
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    Laufzeit
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    87 Minuten
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    Veröffentlichung
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    12.06.2007
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    Special Features
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    - New, restored high-definition digital transfer
 - Le poulet (1962), director Claude Berri’s Oscar-winning short film
 - New video interviews with Berri and actor Alain Cohen
 - Interviews from 1967 with Berri and Michel Simon
 - An excerpt from “The Jewish Children of Occupied France,” a 1975 French talk-show segment featuring Berri and the woman who helped secure his family’s safety during World War II
 - Original theatrical trailer
 - New and improved English subtitle translation
 - PLUS: A booklet featuring a new essay by critic David Sterritt, an appreciation of the film by François Truffaut, and excerpts from Berri’s memoir
  
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