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DVD Versand mit riesiger Auswahl und portofreier Lieferung. Filme aus allen Bereichen: Comedy, Action, Drama, ...




Blow Out - Criterion Collection   [CRI-Criterion]




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Artikel: 1609852
Movie: 90125011



Regionencode [?] 1 - USA (NTSC)
Benötigt Codefree-Player zum Abspielen!
Originaltitel Blow Out
Genre Drama / Mistery / Thriller
Produktionsland USA
Herstellungsjahr 1981


Schauspieler John Travolta, John Lithgow, Nancy Allen, Dennis Franz, John McMartin, J. Patrick McNamara, Roger Wilson, Peter Boyden, John Aquino, Deborah Everton, Missy Cleveland, Curt May
Regie Brian De Palma
Autor(en) Brian De Palma
Produzent(en) George Litto, Fred C. Caruso
Sprache (Tonformat) Englisch   (Dolby Digital - 2.0 Surround)
Untertitel Englisch für Hörgeschädigte
Covertext In the enthralling Blow Out, brilliantly crafted by Brian De Palma, John Travolta gives one of his greatest performances, as a movie sound-effects man who believes he has accidentally recorded a political assassination. He enlists the help of a possible eyewitness to the crime (Nancy Allen), who may be in danger herself, to uncover the truth. With its jolting stylistic flourishes, intricate plot, profoundly felt characterizations, and gritty evocation of early-1980s Philadelphia, Blow Out is an American paranoia thriller unlike any other, as well as a devilish reflection on moviemaking.


Bildformat 2.40:1 Aufbereitet für 16:9 Bildschirme
Laufzeit 108 Minuten
Veröffentlichung 15.04.2011


Special Features
  • New, restored digital transfer, supervised and approved by director Brian De Palma (with DTS-HD Master Audio soundtrack on the Blu-ray edition)
  • New hour-long interview with De Palma, conducted by filmmaker Noah Baumbach
  • New video interview with star Nancy Allen
  • De Palma’s 1967 feature Murder à la Mod
  • New video interview with cameraman Garrett Brown on the Steadicam shots featured in the film within the film
  • On-set photos by photographer Louis Goldman
  • Original theatrical trailer
  • PLUS: A booklet featuring an essay by critic Michael Sragow and Pauline Kael’s original New Yorker review

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