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DVD Versand mit riesiger Auswahl und portofreier Lieferung. Filme aus allen Bereichen: Comedy, Action, Drama, ...




Design For Living - Criterion Collection   [CRI-Criterion]




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Artikel: 1925022
Movie: 19912030



Regionencode [?] 1 - USA (NTSC) (Film in s/w)
Benötigt Codefree-Player zum Abspielen!
Originaltitel Design For Living
Serenade Zu Dritt
Genre Comedy / Lovestory
Produktionsland USA
Herstellungsjahr 1933


Schauspieler Gary Cooper, Fredric March, Edward Everett Horton, Miriam Hopkins
Regie Ernst Lubitsch
Autor(en) Noel Coward, Ben Hecht
Produzent(en) Ernst Lubitsch
Sprache (Tonformat) Englisch   (Dolby Digital - 1.0 Mono)
Untertitel -
Covertext Gary Cooper, Fredric March, and Miriam Hopkins play a trio of Americans in Paris who enter into a very adult “gentleman’s agree­ment” in this continental pre-Code comedy, freely adapted by Ben Hecht from a play by Noël Coward and directed by Ernst Lubitsch. A risqué relationship story and a witty take on creative pursuits, the film concerns a commercial artist (Hopkins) unable—or unwilling—to choose between the equally dashing painter (Cooper) and playwright (March) she meets on a train en route to the City of Light. Design for Living is Lubitsch at his sexiest, an entertainment at once debonair and racy, featuring three stars at the height of their allure.


Bildformat Fullscreen 1.33:1 Aufbereitet für 16:9 Bildschirme
Laufzeit 91 Minuten
Anzahl Discs 2
Veröffentlichung 06.12.2011


Special Features
  • New high-definition digital restoration (with uncompressed monaural soundtrack on the Blu-ray edition)
  • “The Clerk,” starring Charles Laughton, director Ernst Lubitsch’s segment of the 1932 omnibus film If I Had a Million
  • Selected-scene commentary by film scholar William Paul
  • British television production of the play Design for Living from 1964, introduced on camera by playwright Noël Coward
  • New interview with film scholar and screenwriter Joseph McBride on Lubitsch and screenwriter Ben Hecht’s adaptation of the Coward play
  • PLUS: A booklet featuring an essay by film critic Kim Morgan

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